Tolia Astakhishvili
Installation view, Post Scriptum. A museum forgotten by heart, MACRO Museum. Rome, 2024
Installation view, Post Scriptum. A museum forgotten by heart, MACRO Museum. Rome, 2024
Installation view, Tolia Astakhishvili: between mother and father, Sculpture Center, New York, 2024
Installation view, Tolia Astakhishvili: between mother and father, Sculpture Center, New York, 2024
Tolia Astakhishvili, The Main Entrance, 2024, Drywall, emulsion paint, glue, found objects, pencil, pen, dust, filler, sand and earth, Approximate dimension: 360 × 630 cm
Tolia Astakhishvili, The Main Entrance, 2024, Drywall, emulsion paint, glue, found objects, pencil, pen, dust, filler, sand and earth, Approximate dimension: 360 × 630 cm
Tolia Astakhishvili, 20 rooms to train subconscious, 2000-2023,
Plasterboard, rockwool, plaster, instant coffee, oil, machine oil, dirt,
hair, Plexiglas, board, blueprint, 3d-printed architectural model, pen, paper, Dimensions variable
Tolia Astakhishvili, 20 rooms to train subconscious, 2000-2023,
Plasterboard, rockwool, plaster, instant coffee, oil, machine oil, dirt,
hair, Plexiglas, board, blueprint, 3d-printed architectural model, pen, paper, Dimensions variable
Tolia Astakhishvili, Space reflected owner I, 2023, Mixed Media Installation, Dimensions variable
Tolia Astakhishvili, Space reflected owner I, 2023, Mixed Media Installation, Dimensions variable
Tolia Astakhishvili, dissolving patient, 2020, Oil, acrylic and indian ink on canvas, 30.3 × 40.3 × 2.1 cm
Tolia Astakhishvili, dissolving patient, 2020, Oil, acrylic and indian ink on canvas, 30.3 × 40.3 × 2.1 cm
Tolia Astakhishvili, Once upon the time (diagnoses and treatments), 2023, Paint, coffee, dirt, ink, pigment, papier-mâché, plaster, chairs, blankets, Dimensions variable
Tolia Astakhishvili, Once upon the time (diagnoses and treatments), 2023, Paint, coffee, dirt, ink, pigment, papier-mâché, plaster, chairs, blankets, Dimensions variable
Tolia Astakhishvili, Gossip niche, 2023, Ink on paper, 22 × 15.5 cm
Tolia Astakhishvili, Gossip niche, 2023, Ink on paper, 22 × 15.5 cm
Installation view, In Heat Wind Wounds Holes, LC Queisser, Tbilisi, 2022
Installation view, In Heat Wind Wounds Holes, LC Queisser, Tbilisi, 2022
Installation view, The Holding Environment, Bonner Kunstverein, Bonn, 2021
Installation view, The Holding Environment, Bonner Kunstverein, Bonn, 2021
Installation view, The Holding Environment, Bonner Kunstverein, Bonn, 2021
Installation view, The Holding Environment, Bonner Kunstverein, Bonn, 2021
Tolia Astakhishvili, The Magic Mountain, Mixed media, Oil on canvas, 90 × 90 cm
Tolia Astakhishvili, The Magic Mountain, Mixed media, Oil on canvas, 90 × 90 cm
Tolia Astakhisvhili, Placebo
Tolia Astakhisvhili, Placebo
Tolia Astakhishvili (b. 1974, Tbilisi, Georgia) works and lives in Berlin and Tbilisi. Her recent solo exhibitions include Result, LC Queisser, Tbilisi; between father and mother, SculptureCenter, New York (2024); The First Finger (chapter II), Haus am Waldsee, Berlin (2023); The First Finger, Bonner Kunstverein, Bonn (2023); I Think It's Closed, Bielefelder Kunstverein, Bielefeld (2023). Tolia’s works will be included at MoMA PS1, NY (2025). Her work has been included in exhibitions at MACRO Museum, Rome; LC Queisser, Tbilisi; galerie frank elbaz, Paris; Condo Complex, London (2024); Kunsthalle Zürich, Zürich; Emalin, London; Molitor Gallery, Berlin; LC Queisser, Tbilisi (2023); Shahin Zarinbal, Berlin; Felix Gaudlitz, Vienna; LC Queisser, Tbilisi (2022); Art Hub Copenhagen, Copenhagen; Räume für Kunst, Kerpen; Bonner Kunstverein, Bonn; Capitain Petzel Galerie, Berlin (2021); Goethe Institute Bulgaria / Earth and Man National Museum, Sofia; Malmö Konsthall, Malmö (2019); Cabinet, London (2018).
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